The chance to see adults going about their lives unobserved, the arresting combination of animal features and human surroundings, the classical proportions of Miyakoshi’s charcoal drawings, and the way that a day’s events replay and trigger thoughts in the moments before sleep all combine in a distinctive nighttime treasure. Miyakoshi (The Storm) shows the ram in his bathroom, toothbrush in hand she revisits the others, too. A web of enchantment draws readers into this affecting story. As her mother and father carry her home down urban streets after dark, a young rabbit. The Way Home in the Night Akiko Miyakoshi. Miyakoshi ( The Storm) shows the ram in his bathroom, toothbrush in hand she revisits the others, too. “Is the person on the phone getting ready for bed?” she wonders. Once the child rabbit is home and in bed, her thoughts wander. Other animals are seen, each with its own story. Maybe someone is watching TV.” Through another window, a bear sits in front of a television. Through a window, readers see a ram in shirtsleeves answering the phone. “I hear a phone ring,” the child rabbit says. They’re rabbits-rabbits who wear clothing and walk upright-and the city is populated with other assorted animals, all going about their business. When a Wolf Is Hungry (Christine Naumann-Villemin) ADVERTISEMENT. When Dimple Met Rishi (Sandhya Menon) 211. A mother carries her child home at nightfall through quiet city streets. The Way Home in the Night (Akiko Miyakoshi) 209.
0 Comments
Leave a Reply. |